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Ben Enwonwu
Nigerian sculptor and painter; Art Adviser to Nigerian government.
Born in Onitsha province in Nigeria and schooled in government colleges there before traveling to pursue secondary education in Europe, Benedict Enwonwu grew up to become perhaps the foremost Nigerian artist of his time. In England he studied Fine Art, Aesthetics, History of Western Art and Anthropology and began an artistic career in earnest. Working with diverse media in his painting and sculpture-wood, bronze, metal, plastics, plaster, cement, oil and watercolors-Enwonwu's work was popular throughout his career, which was brought to international attention when Queen Elizabeth II sat for him at Buckingham Palace in the late 1950s. Enwonwu has exhibited sculpture around the world, at London's Berkeley galleries (1947), Howard University (1950), the Galerie Apollinaire (1950), the Goethe Institut (1976) and the Museum of Contemporary Art, New York (2001). He has written of the political contained in visual art cultures, and was a proponent of using artistic expression to provide local or individual representation, even in the face of Western art forms or techniques. |
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Duke Asidere
Asidere is idealistic, passionate
and spontaneous . One of the most
talented Nigerian artists .The sort of artist
people will term "ahead of his time".
He captures Nigeria - ugly, brutal , stupid
All the things that are hateful - yet sometimes
he imbues it with a hint of what could be
, if we only tried a bit more - a true visionary
artist.
He studied art Ahmadu Bello University ,
Zaria and lectured art in Auchi Polytechnic
for a while before becoming a full time
artist. |
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Ola Balogun
Many Nigerian artists have
painted the chicken markets . This is an
unusual take on it, capturing not the market
but a lone girl on her way in or out of
the market. The colours are vibrant and
expressive |
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Abayomi Barber
At 77, Abayomi Barber is
one of the oldest artists in Nigeria , and
one of the most influential. A painter ,
sculptor and teacher, Barber has created
some of the most fascinating landscapes
in Nigerian art. His dual images serve both
as mesmerizing sceneries and as stories
of Nigeria's past and present. His sculptures
grace diverse places - the House of Commons
and the National theatre. As a an art teacher
in the university of Lagos , Barber has
groomed some of Nigeria's most interesting
new artists |
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Tony Enebeli
Many of Enebeli's themes
a derived from his native Anioma area of
Delta State. According to Enebeli , his
art is a bridge between old and new Nigeria,
capturing fast-disappearing traditional
festivals and rites and highlighting aspects
of Nigerian culture that are being submerged
by today's more international culture. His
main media are cast and metal foil . With
these unusual media he has been able to
create a distinctive style that, like his
themes, captures the strength of old Nigeria
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Hamid Ibrahim
Ibrahim creates vibrant
, pictures of people and places in Lagos
and surrounding areas. His brush strokes
are broad and colourful, capturing the energy
of life in Nigeria, but also capturing the
hopes and aspirations of people living in
difficult times Ibrahim finished from the
Yaba College of Technology in 1990. |
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Zinno Orara
Born in 1965, Orara's emotive
renditions of life and living invoke beauty
even in ruins or rust . His works are simple
and pared down yet emotive and warm. Orara
graduated from Auchi Polytechnic |
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Toni Oshiame
Oshiame may well be the
most imaginative user of the pastel medium
in Nigeria today. His pastels and oils capture
everyday rural Nigeria - people going to
the market, to their farms. He tends to
focus on the rural areas rather than the
big city capturing its charm even as he
shows the lines of anxiety and hunger in
people's faces as they fight for survival.
It's an interesting an uneasy balance he
tries to capture - deprivation and joy.
Oshiame studied in Auchi Polytechnic and
is a full time painter. |
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Sam Ovraiti
Nobody in Nigerian art today
captures images in water colour the way
Ovraiti does. His strength is probably the
ability to capture the subtlety and evanescent
qualities of the medium. Like the best artists
, Ovraiti works as effectively in other
media like oil and pastel as he does in
water colour. Ovraiti studied at the Auchi
Polytechnic and after a few years teaching
in secondary schools became an art teacher
at the polytechnic. He remained in Auchi
till the mid nineties. He is today a full
time artist based in Lagos |
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Tony Enebeli
Tony Enebeli is one of Nigeria's
most prominent artists. His main media are
plastocast and metal foil, With these unusual
media he has created a distinctive style.
His works capture scenes from his native
Anioma area in Delta state as well as other
parts of Nigeria - the ceremonies, rites
and traditions. The Ipu Afia series for
instance are about an annual ceremony in
his Anioma village. At a fixed point in
the year all indigenes of Anioma return
to the village to celebrate together. To
signal the beginning of the ceremony, the
oldest women in the village is escorted
to a hut with a gourd tied to the wall.
The ceremony starts when she breaks the
gourd. His series of "Ipu Afia" works capture
the procession leading the woman to the
hut. According to Enebeli, his art is a
bridge between old Nigeria and new Nigeria,
bringing disappearing traditions, ceremonies
and cultures back to the fore. While his
themes and ideas are a throwback to tradition,
his execution is bold and unusual. Enebeli's
exhibitions include 'The Nigerian arts exhibition'
in Fredrisveaek, Sweden and Spanua, Berlin
in 1986; Contemporary West African Arts
Exhibition at Impression Gallery, Boston
Massachusetts in 1989; 'In Africa' at Avanguardia
, Milan , Italy in 1993; 'Visions of Ancestral
Heritage', Italian Cultural Institute, Lagos
in 1992 ; 'African Passage', Air Gallery,
London in 2003. |
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Muraina Oyelami
Oshogbo is an idyllic town in Western
Nigeria. This was the cite of an art experiment
in 1969 . The idea was to bring together young,
creative people without formal art training and
encourage them to paint from the heart. The experiment
was such a success that today Oshogbo has become
the centre of an art movement in Nigeria, with
an ever-growing group of artists. Oyelemi was
one of the first set of Oshogbo artists. Before
then he was an actor in the Ojo Ladipo Theatre
in Lagos. He took on the ideas of the experiment
- to create art from the inner mind without the
restraint of formal training - and became the
most visible and most successful of the Oshogbo
artists. Of his lack of formal training he says,
'If we had gone to a university art school, we
would not have been able to develop the inner
eye so early. Too many things would have been
imposed upon us and it might have taken us years
to free ourselves from that education. Oyelami's
themes are mainly derived from Yoruba culture.
The people - their facial features and markings
is one of his favorites. His works also capture
the ceremonies and festivals. Oyelami is today
the chief of his village - a few miles outside
Oshogbo . He still paints and has exhibited widely
in Nigeria and in America. |
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